Quotes about Expression

But let other pens treat of sex and sexuality; we quit such odious subjects as soon as we can.

I see it all. I feel it all. I am inspired. My eyes fill with tears. Yet even as I feel this. I lash my frenzy higher and higher. It foams. It becomes artificial, insincere. Words and words and words, how they gallop - how they lash their long manes and tails, but for some fault in me I cannot fly with them, scattering women and string bags. There is some flaw in me - some fatal hesitancy, which, if I pass it over, turns to foam and falsity

And thus she made it impossible for me to roll out my sonorous phrases about 'elemental feelings,' the 'common stuff of humanity,' 'depths of the human heart,' and all those other phrases which support us in our belief that, however clever we may be on top, we are very serious, very profound and very humane underneath.

She was writing for everybody, for nobody, for our age, for her own...

But suppose Peter said to her, Yes, yes, but your parties—what's the sense of your parties? all she could say was (and nobody could be expected to understand): They're an offering; which sounded horribly vague. But

I will write, she had said, what I enjoy writing.

Sometimes it seems to me that I shall never write out all the books I have in my head, because of the strain. The devilish thing about writing is that it calls upon every nerve to hold itself taut. This is exactly what I cannot do--

Now the writer, as I think, has the chance to live more than other people in the presence of this reality. It is his business to find it and collect it and communicate it to the rest of us.

It is so vast an alleviation to be able to point for another to look at. And then not to talk. To follow the dark paths of the mind and enter the past, to visit books, to brush aside their branches and break off some fruit.

What she said in To the Lighthouse of Lily Briscoe's art she might have said of her own: that the pen was 'the one dependable thing in a world of strife, ruin, chaos . . .',73 and the godlike power she felt as a writer is perfectly embodied in a passage from that novel.

It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange.

Never did anybody look so sad.