Quotes about Expression

An artist cannot speak about his art any more than a plant can discuss horticulture

Your actions speak so loudly, I cannot hear what you are saying.

Give me the liberty to know, to utter, and to argue freely according to my conscience, above all liberties.

Or bid the soul of Orpheus sing such notes as, warbled to the string, Drew iron tears down Pluto's cheek.

He knew himself to sing, and build the lofty rhyme.

The German language is so sonorous, isn't it? Beautiful language...the language of poetry. Angry, angry poetry.

for poets, at least, experiencing something inexpressible does not mean silence. It's precisely the inexpressible something that poetry is meant to help us see or feel. If it were merely expressible - if there were nothing ineffable about it - there would be no need for a poem. But everywhere in the Bible we meet reality that exceeds our expectations.

And what we have seen is that this embracing of suffering is not just an accompaniment of our witness to Christ; it is the visible expression of it. Our sufferings make Christ's sufferings known so that people can see the kind of love Christ offers. We complete Christ's afflictions by providing what they do not have, namely, a personal, vivid presentation to those who do not see Christ suffer in person. The

Some of us are afraid of getting too emotional when we sing. But the problem isn't emotions. It's emotionalism. Emotionalism pursues feelings as ends in themselves. It's wanting to feel something with no regard for how that feeling is produced or its ultimate purpose.

Emotions are like a river flowing out of one's heart. Form is like the riverbanks. Without them the river runs shallow and dissipates on the plain. But banks make the river run deep. Why else have humans for centuries reached for poetry when we have deep affections to express? The creation of a form happens because someone feels a passion. How ironic, then, that we often fault form when the real evil is a dry spring.

Bob Kauflin Kauflin argues that Christians tend to fall into one of three categories when it comes to the relationship between music and words: (1) music supersedes the word; (2) music undermines the word; (3) music serves the word. Arguing for this third paradigm, Kauflin suggests three implications:

Most evangelicals have bought into the need for apparent indifference when writing about massively important things.