Quotes about Introspection

The cold stream of visual impressions failed him now as if the eye were a cup that overflowed and let the rest run down its china walls unrecorded. The brain must wake now. The body must contract now, entering the house, the lighted house, where the door stood open, where the motor cars were standing, and bright women descending: the soul must brave itself to endure. He opened the big blade of his pocket-knife.

But suppose Peter said to her, Yes, yes, but your parties—what's the sense of your parties? all she could say was (and nobody could be expected to understand): They're an offering; which sounded horribly vague. But

Queer, I mused, to see what we were thinking five years ago.

Swelling, perpetually augmented, there is a vast accumulation of unrecorded matter in my head.

Half one's notions of other people were, after all, grotesque. They served private purposes of one's own.

To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others.

Still, there's no harm in putting a full stop to one's disagreeable thoughts by looking at a mark on the wall... Here is something definite, something real. thus, waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is proof of some existence other than ours.

There was a spectator in me who, even while I squirmed and obeyed, remained observant, note taking for some future revision.

The truth is that I need the stimulus of other people. Alone, over my dead fire, I tend to see the thin places in my own stories. The real novelist, the perfectly simple human being, could go on, indefinitely, imagining. He would not integrate, as I do. He would not have this devastating sense of grey ashes in a burnt-out grate.

It is so vast an alleviation to be able to point for another to look at. And then not to talk. To follow the dark paths of the mind and enter the past, to visit books, to brush aside their branches and break off some fruit.

These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past.

To know the truth—to accept without bitterness