Quotes about Language
The way for a person to develop a style is to know exactly what he wants to say, and (b) to be sure he is saying exactly that.
— CS Lewis
Equations are the devil's sentences.
— Stephen Colbert
I like to call everyone that I find slightly annoying a 'sociopath.'
— Bo Burnham
In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.
— Eugene Peterson
The word gap leads to an achievement gap and has life-long consequences
— Hillary Clinton
If you cannot answer a man's argument, all it not lost; you can still call him vile names.
— Elbert Hubbard
There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.
— Elias Canetti
The act of naming is the great and solemn consolation of mankind
— Elias Canetti
I have no sounds that could serve to soothe me, no violoncello like him, no lament that anyone would recognize as a lament because it sounds subdued, in an inexpressibly tender language. I have only these lines on the yellowish paper and words that are never new, for they keep saying the same thing through an entire life.
— Elias Canetti
What is being lost is the magic of the word. I am not an image person. Imagery belongs to another civilization: the caveman. Caveman couldn't express himself so he put images on walls.
— Elie Wiesel
To speak about this universal force that will lead us beyond on the last horizon of our known self toward a wiser, more loving, more luminous states of being, we do not need to invent a new language. But we do need to listen to the old, the ancient one, not with our jaded minds, but with our awakened souls.
— Arianna Huffington
A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language with pleasurable accessories, each kind brought in separately in the parts of the work; in a dramatic, not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.
— Aristotle