We have come to know Man as he really is. After all, man is that being who invented the gas chambers of Auschwitz; however, he is also that being who entered those gas chambers upright, with the Lord's Prayer or the Shema Yisrael on his lips. HAROLD S. KUSHNER

Our generation is realistic, for we have come to know man as he really is. After all, man is that being who invented the gas chambers of Auschwitz; however, he is also that being who entered those gas chambers upright, with the Lord's Prayer or the Shema Yisrael on his lips.

We had literally lost the ability to feel pleased and had to relearn it slowly. Psychologically, what was happening to the liberated prisoners could be called "depersonalization." Everything appeared unreal, unlikely, as in a dream.

We who lived in concentration camps can remember the men who walked through the huts comforting others, giving away their last piece of bread. They may have been few in number, but they offer sufficient proof that everything can be taken from a man but one thing: the last of the human freedoms—to choose one's attitude  in  any given set of circumstances, to  choose one's own way.

Life is difficult; facts uncompromising; and the passage to that fabled land where our brightest hopes are extinguished, our frail barks founder in darkness, one that needs, above all, courage, truth, and the power to endure.

Must, must, must — detestable word. Once more, I who had thought myself immune, who had said, Now I am rid of all that, find that the wave has tumbled me over, head over heels, scattering my possessions, leaving me to collect, to assemble, to head together, to summon my forces, rise and confront the enemy.

Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself-Oh, yes!-in every other way.

When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words.

What she said in To the Lighthouse of Lily Briscoe's art she might have said of her own: that the pen was 'the one dependable thing in a world of strife, ruin, chaos . . .',73 and the godlike power she felt as a writer is perfectly embodied in a passage from that novel.

Fight ! Fight! I repeated. It is the effort and the struggle, it is the perpetual warfare, it is the shattering and piecing together. This is the daily battle, defeat or victory, the absorbing pursuit.

To be flung into the sea, to be washed hither and thither, and driven about the roots of the world—the idea was incoherently delightful. She sprang up, and began moving about the room, bending and thrusting aside the chairs and tables as if she were indeed striking through the waters. He watched her with pleasure; she seemed to be cleaving a passage for herself, and dealing triumphantly with the obstacles which would hinder their passage through life.

Life is a mess. And theology must be lived out in the midst of that mess.