The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.

The beauty is an illusion, and also a warning: there's a dark side to beauty, as with poisonous butterflies.

The adult female body was one big booby trap as far as I could tell. If there was a hole, something was bound to be shoved into it and something else was bound to come out, and that went for any kind of hole: a hole in a wall, a hole in a mountain, a hole in the ground. There were so many things that could be done to it or go wrong with it, this adult female body, that I was left feeling I would be better off without it.

Blondes are like white mice, you only find them in cages. They wouldn't last long in nature. They're too conspicuous.

Women, and what went on under their collars. Hotness and coldness, coming and going in the strange musky flowery variable-weather country inside their clothes -- mysterious, important, uncontrollable. That was his father's take on things. But men's body temperatures were never dealt with; they were never even mentioned....

Breasts were one thing: they were in front, where you could have some control over them. Then there were bums, which were behind, and out of sight, and thus more lawless. Apart from loosely gathered skirts, nothing much could be done about them.

It's simple,' Kat told them. 'You bombard them with images of what they ought to be, and you make them feel grotty for being the way they are. You're working with the gap between reality and perception. That's why you have to hit them with something new, something they've never seen before, something they aren't. Nothing sells like anxiety.

You should never let your picture be in a magazine or newspaper if you can help it, as you never know what ends your face may be made to serve, by others, once it has got out of your control.

All those paintings of women, in art galleries, surprised at private moments. Nymph Sleeping. Susanna and the Elders. Woman bathing, one foot in a tin tub - Renoir, or was it Degas? both, both women plump. Diana and her maidens, a moment before they catch the hunter's prying eyes. Never any paintings called Man Washing Socks in Sink.)

She takes after Laura in that respect: the same tendency towards absolutism, the same refusal to compromise, the same scorn for the grosser human failings. To get away with that, you have to be beautiful. Otherwise it seems mere peevishness.

Yes," she said in a voice squeaky with fright. She was younger and still attractive then; she hadn't yet allowed her body to engorge. I have noted since that some kinds of men like to bully beautiful women.

Men don't like to think about makeup, they like to think everything about you is genuine. Unless of course they want to think you're a slut and everything about you is fake.